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19th May 2013

Photo reblogged from I'm the Goddamn Batman! with 87 notes

imthegdbatman:


Rorschach | Elizabeth Edwards

imthegdbatman:

Rorschach | Elizabeth Edwards

18th May 2013

Photo reblogged from GtheGent with 1,949 notes

vistale:

Panerai Luminor | via

vistale:

Panerai Luminor | via

Source: vistale

14th May 2013

Photo reblogged from GtheGent with 537 notes

Source: themanliness

12th May 2013

Photoset reblogged from broken heart avenue with 169,522 notes

Source: salaaam-imnora

10th May 2013

Photo reblogged from The GQ Tumblr with 870 notes

gq:

Daft Punk is (Finally!) Playing at Our House
Even for robots, eight years between albums is a long time, and now everything on the radio sounds like Daft Punk did nearly a decade ago. How are the gods of digital planning to get ahead of the global EDM wave they helped create? By going analog—new album, new sound, new collaborators. But have no fear: The helmets remain the same.




They are rusty at being Daft Punk. They’ve been gone for a long time. Since their last proper studio release, 2005’s Human After All, they’ve done just a handful of interviews—three, maybe four, tops—and they’re badly out of practice. They’re still answering questions like Thomas Bangalter and Guy-Manuel de Homem-Christo, instead of like Daft Punk, which is a problem, because they’d prefer that you not think of them as people at all.
That’s partly what the robot helmets are for. It’s why you’ve never seen their faces.
“I remember when I was a kid, I would watch Superman, and I was super into the feeling of knowing that Clark Kent is Superman and no one knows,” Bangalter says. “We always thought as we were shaping this thing that the fantasy was actually so much more exciting than the idea of being the most famous person in the world.”
It’s a Saturday afternoon in Los Angeles, and the two men are seated, sans disguises, outside at a café on La Brea. They’re talking about their kids (two each), the vagaries of the California wildlife that haunt Bangalter’s house up in the hills (deer and coyotes, mostly, though recently he lost a night of sleep to the hooting of what he’s pretty sure was an owl), and a bunch of other things they’d really rather not discuss—a bunch of things they will later try to take back—because finally, after eight years, there is a new Daft Punk record.




Read our full feature of Daft Punk at GQ.com

gq:

Daft Punk is (Finally!) Playing at Our House

Even for robots, eight years between albums is a long time, and now everything on the radio sounds like Daft Punk did nearly a decade ago. How are the gods of digital planning to get ahead of the global EDM wave they helped create? By going analog—new album, new sound, new collaborators. But have no fear: The helmets remain the same.

They are rusty at being Daft Punk. They’ve been gone for a long time. Since their last proper studio release, 2005’s Human After All, they’ve done just a handful of interviews—three, maybe four, tops—and they’re badly out of practice. They’re still answering questions like Thomas Bangalter and Guy-Manuel de Homem-Christo, instead of like Daft Punk, which is a problem, because they’d prefer that you not think of them as people at all.

That’s partly what the robot helmets are for. It’s why you’ve never seen their faces.

“I remember when I was a kid, I would watch Superman, and I was super into the feeling of knowing that Clark Kent is Superman and no one knows,” Bangalter says. “We always thought as we were shaping this thing that the fantasy was actually so much more exciting than the idea of being the most famous person in the world.”

It’s a Saturday afternoon in Los Angeles, and the two men are seated, sans disguises, outside at a café on La Brea. They’re talking about their kids (two each), the vagaries of the California wildlife that haunt Bangalter’s house up in the hills (deer and coyotes, mostly, though recently he lost a night of sleep to the hooting of what he’s pretty sure was an owl), and a bunch of other things they’d really rather not discuss—a bunch of things they will later try to take back—because finally, after eight years, there is a new Daft Punk record.

Read our full feature of Daft Punk at GQ.com

10th May 2013

Photoset reblogged from The GQ Tumblr with 989 notes

gqfashion:

The 48-Hour Wardrobe

Never worry about what to bring on a business trip again. Just follow this packing list of clothes that can pull double duty — and be smarter about what you wear on the plane.

Source: GQ

10th May 2013

Photo reblogged from GtheGent with 304 notes

Source: mismo.dk

2nd May 2013

Photo reblogged from GtheGent with 812 notes

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2nd May 2013

Photo reblogged from GtheGent with 1,464 notes

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2nd May 2013

Photo reblogged from We Accept The Love We Think We Deserve with 38,711 notes

Source: trustissuess